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The Opera Libretto – Adaptation of A Canonical Literary Text, The Opera O Noapte furtunoasă by Paul Constantinescu

Bibliographic Data

ID21755106
AuthorsCristi AVRAM (Romanian Waters National Administration, corresponding author)
Year2022
Volume12
Issue2
Pages91-102
Publication date2022-12-01
Open AccessNo
TypeARTICLE
VenueTheatrical Colloquia (JOURNAL)
Journal identifiersISSN: 1584-4927 • E-ISSN: 2285-5912
PublisherUniversitatea Nationala de Arte George Enescu Iasi (PUBLISHER)
DOI10.35218/tco.2022.12.2.10
OpenAlexW4312046432
LanguageEN
References cited1

The opera libretto, born very often through the adaptation of large texts, is the foundation of an opera composition. What interests us is how it can independently support musicaly a story, while also preserving its quality as a literary text. On the other hand, we raise the question whether the libretto should work in the absence of the integrative, complementary background, which defines, in fact, the genre of opera - music. The first part of the study focuses on the opera libretto and the adaptation of the literary text, while the second part focuses more on Romanian music and, in particular, on the libretto of the opera O noapte furtunoasă by Paul Constantinescu

Art · Literature · Opera · Psychology · Shakespeare, Adaptation, and Literary Criticism · Theater, Performance, and Music History · Theatre and Performance Studies

  • Wort oder Ton’? Reading the Libretto in Contemporary Opera

    Andrew Blake•Contemporary Music Review•2010

Highly citedNo

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