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A Play of the Double

Bibliographic Data

ID21755160
AuthorsDiana COZMA (0000-0002-0695-3377, Lucian Blaga University of Sibiu, corresponding author)
Year2024
Volume14
Issue1
Pages35-45
Publication date2024-05-01
Open AccessNo
TypeARTICLE
VenueTheatrical Colloquia (JOURNAL)
Journal identifiersISSN: 1584-4927 • E-ISSN: 2285-5912
PublisherUniversitatea Nationala de Arte George Enescu Iasi (PUBLISHER)
DOI10.35218/tco.2024.14.1.03
OpenAlexW4396887100
LanguageEN
References cited1

Taking into account that, in Antonin Artaud’s vision, theatre, in order to be revived, has to enter a play of the double, the present paper aims at discussing, succinctly, the notion of the Artaudian double, putting high emphasis on dream. So, theatre is dream, plague, cruelty, alchemical operation, ritual, exorcism, experiment. The link between the physical and the spiritual, in Artaudian metaphors, involves a transfer / transport of the actor and spectator from the lower levels of understanding to higher levels or from the lower energies of the body to subtle energies. When referring to the plague, Christopher Innes calls it a tired metaphor; moreover, he finds that Artaudian metaphors seem to be confusing or to generate confusion in the actor or spectator. Nonetheless, Artaud’s metaphors are revelatory, metaphysical, not asking for a horizontal, rational understanding, but for a vertical, speculative understanding

Aesthetics · Alchemy · Art · Confusion · Cruelty · Dream · Epistemology · Exorcism · Literature · Metaphor · Psychoanalysis · Sociology · Theology · Historical and Literary Analyses · Historical and Literary Studies · Philosophy · Psychology

  • The Anthropology of Performance

    Victor Turner, Victor Witter Turner•The anthropology of performance•1986

Highly citedNo

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