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Niemożliwy teatr możliwej przyszłości” – sekcja Fringe festiwalu Lubimowka w poszukiwaniu nowych form artystycznego wyrazu

Bibliographic Data

ID21763592
AuthorsPaulina Charko-Klekot (0000-0002-1265-6934, corresponding author), Uniwersytet Śląski w Katowicach
Year2025
Volume25
Pages26-45
Publication date2025-01-01
Open AccessYes
TypeARTICLE
VenueStudia Wschodniosłowiańskie (JOURNAL)
Journal identifiersISSN: 1642-557X
PublisherUniversity of Bialystok (PUBLISHER • PL)
DOI10.15290/sw.2025.25.02
OpenAlexW4416673183
LanguageEN
References cited4

This article analyses the works selected for the Fringe section, a part of the Lubimovka Festival – one of the key dramaturgical events in the Russian-speaking theatrical community. Since its inception, the Fringe section has been a space for experimental plays that often transcend conventional theatrical forms, challenging the traditional language of the theater. The innovation of the artists highlighted by the Fringe curators lies in incorporating contemporary technologies – an integral part of their daily lives – into the creative process. They create dramaturgy by using techniques borrowed from the social media and tools of artificial intelligence, representing a groundbreaking approach to the traditional theatrical forms

Dramaturgy · Diverse Academic Research Studies · Historical and Modern Theater Studies · Theatre and Performance Studies

  • Pierwiastek ironiczny w dramaturgii Oli Muchiny

    Open Access•Paulina Charko-Klekot•Przeglad Rusycystyczny•2023

Highly citedNo

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