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Teatr w kalejdoskopie – od bajki do koszmaru (kilka uwag o roli teatru w trylogii Podwójny teatr Nikołaja Jewreinowa)

Bibliographic Data

ID21763593
AuthorsUniwersytet Warszawski, Jadwiga Gracla (0000-0002-8142-2867, University of Warsaw, corresponding author)
Year2021
Volume21
Pages23-31
Publication date2021-01-01
Open AccessYes
TypeARTICLE
VenueStudia Wschodniosłowiańskie (JOURNAL)
Journal identifiersISSN: 1642-557X
PublisherUniversity of Bialystok (PUBLISHER • PL)
DOI10.15290/sw.2021.21.02
OpenAlexW4205614951
LanguagePL
References cited1

In the presented sketch, the author indicates the problem of changing the approach to the role of theater in human life in three works by Nikolai Yevreinov: A Beautiful Despot, What is Most Important and The Theater of Eternal War. The author initially perceives theater as an attempt to build an artificial reality for his own convenience and whim, so it is an escape from reality. In subsequent plays, his image changes – at first it becomes a beautiful fairy tale, an attempt at therapy and making people happy using theatrical methods. In the final part of the Double Theater trilogy, it becomes a method of revealing the true face. However, as the author points out, this is not the only way to understand the role of theater – it can also be just theater – another artificial reality

Aesthetics · Art · Art history · Linguistics · Sketch · Trilogy · Visual arts · Computer Science · Diverse Academic Research Studies · Education and Cultural Studies · Philosophy · Polish Historical and Cultural Studies

Highly citedNo

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