O teatr przyszłości. Zapomniane źródła włoskiego myślenia performatycznego
Bibliographic Data
| ID | 21764495 |
|---|---|
| Authors | Katarzyna Woźniak (0000-0001-6666-7973, University of Wrocław, corresponding author) |
| Year | 2023 |
| Issue | 38 |
| Pages | 375-385 |
| Publication date | 2023-07-11 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Przestrzenie Teorii (JOURNAL) |
| Journal identifiers | ISSN: 1644-6763 • E-ISSN: 2450-5765 |
| Publisher | Adam Mickiewicz University Poznan (PUBLISHER) |
| DOI | 10.14746/pt.2022.38.22 |
| OpenAlex | W4383911007 |
| Language | PL |
Italian theater studies in 20th century focused on the theater as the art of staging a dramatic text and it’s analysis. Over the past decade, theater anthropology and performance studies make their way among these relics of the past century slowly but effectively, and the sources of the Italian performance studies are indicated in the 1960s and 1970s. Meanwhile, the interest of Italian researchers in restored behavior is reflected in texts published in-between the two world wars. The subject of the analysis are two texts by Corrado Pavolini who we consider to be a precursor of Italian performance studies
Art · Art history · Humanities · Library science · Literature · Computer Science · Diverse Academic Research Studies · Educational and Social Studies · History · Italian Literature and Culture
| Highly cited | No |
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