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On Aura in Literary Work, Discretion for Reader and Mystery of Form on the Example of Siegfried Lenz’s A Minute’s Silence (2008)

Between Bestseller and Poetology

Bibliographic Data

ID21764529
AuthorsAndrzej Denka (0000-0001-7560-9193, Adam Mickiewicz University in Poznań, corresponding author)
Year2024
Pages101-123
Publication date2024-09-25
Open AccessYes
TypeARTICLE
VenuePrzestrzenie Teorii (JOURNAL)
Journal identifiersISSN: 1644-6763 • E-ISSN: 2450-5765
PublisherAdam Mickiewicz University Poznan (PUBLISHER)
DOI10.14746/pt.2024.special.5
OpenAlexW4402814654
LanguageEN
References cited6

Siegfried Lenz’s novella (2008, English edition 2009) has not only been appreciated by literary critics, but also turned out to be a great bestseller. The novella is a frequent subject of research analysis, especially in terms of its location in the tradition of German and world novella writing. This diversity of reception is astonishing and presents an interesting phenomenon. The novella tells a banal love story, but through an intentional silence and a series of intertextual tropes it also creates mysteriousness. The analysis proposed here is based on Walter Benjamin’s notion of “aura” in the 1930s. From today’s point of view, this concept requires a few additions, primarily from the perspective of systems theory. As it turns out, this concept can be applied both to the content of the novella and to the strategy of literary criticism, as well as to explain the role of form and context in the personal perception of the text

Aesthetics · Art · Aura · Discretion · Literature · Political science · Silence · Engineering · German Literature and Culture Studies · Law · Literature and Cultural Memory · Philosophy · Psychology · Walter Benjamin Studies Compilation

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Highly citedNo

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