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Agony to Enlightenment

Parallels between Rafael Lechowski’s Quarcissus and T.S. Eliot’s Four Quartets

Bibliographic Data

ID21767628
AuthorsJuan Carlos Saravia Vargas (0000-0002-9729-2243, Universidad de Costa Rica), José Roberto Saravia Vargas (0000-0002-0859-1808, Universidad de Costa Rica), Daniel Delgado Solano (0000-0001-8002-6056, Universidad de Costa Rica)
Year2023
Pages176-208
Publication date2023-09-07
Open AccessYes
TypeARTICLE
VenueEstudios (JOURNAL)
Journal identifiersISSN: 1659-1925 • E-ISSN: 1659-3316
PublisherUniversidad de Costa Rica (PUBLISHER • CR)
DOI10.15517/re.v0i2.56370
OpenAlexW4386540733
LanguageEN
References cited4

Eliot’s Four Quartets stands as one of the most influential poetic works of the 20th Century. Therefore, academics have approached it from many different angles, among which one may mention its musicality, the references it contains, its composition, and the belief systems that converge in it, such as Christianity, Hinduism, and Buddhism. Rap music, on the other hand, is generally assumed to be a cultural product that lacks profound insights on the subjects it touches upon precisely because it is built for entertainment, not academic analysis. However, although rap music is generally regarded as non-academic, Rafael Lechowski’s extensive rap work entitled Quarcissus: El arte de desamar has divided criticism because of the way in which it engages with the subject of emotional pain. This article argues that Lechowski’s work shares both structural and content features with Eliot’s Four Quartets; particulary regarding Buddhist principles, which is established by comparing the four sections that make up both texts

Art · Buddhism · Criticism · Enlightenment · Entertainment · Epistemology · Hinduism · Literature · Musicality · Parallels · Poetry · Popular music · Theology · Visual arts · Borges, Kipling, and Jewish Identity · Comparative Literary Analysis and Criticism · Modernist Literature and Criticism · Philosophy · Religious studies

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