El método dialéctico
Althusser, Benjamin y Adorno
Bibliographic Data
| ID | 21769768 |
|---|---|
| Authors | Gonzalo Ricci Cernadas (0000-0002-1727-0547, Universidad de Buenos Aires, corresponding author) |
| Year | 2025 |
| Issue | 34 |
| Pages | 421-446 |
| Publication date | 2025-01-03 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Astrolabio (JOURNAL) |
| Journal identifiers | ISSN: 1668-7515 • E-ISSN: 1668-7515 |
| Publisher | Universidad Nacional de Córdoba (PUBLISHER • AR) |
| DOI | 10.55441/1668.7515.n34.43897 |
| OpenAlex | W4406031554 |
| Language | ES |
| References cited | 5 |
We can find a series of authors who, inscribed in the Marxist tradition, make use of the concept of dialectics, but referring to it in an adjective form, glimpsing a theoretical operation with said term. Thus, Louis Althusser’s behind-the-scenes dialectics, Walter Benjamin's dialectics in suspense, and Theodor W. Adorno’s negative dialectics alike point out that these philosophers use this highly charged notion in different ways, expressive of their ideas and major theoretical motifs. In this way, in the present work, we will study how the dialectic appears conceptualized in the work of these three philosophers
Art · Art history · Dial · Physics · Psychoanalysis · Philosophical and Cultural Analysis · Philosophical Thought and Analysis · Philosophy · Psychology · Spanish Philosophy and Literature
| Citation velocity | historical |
|---|---|
| Highly cited | No |