Covid-19 and the Creative Music Ecology
Bibliographic Data
| ID | 21778488 |
|---|---|
| Authors | Scott D Thomson (University of Guelph), Scott Thomson, Karen Ng (0000-0002-1265-3522), Karen Drury Ruth Ng |
| Year | 2021 |
| Volume | 14 |
| Issue | 1 |
| Publication date | 2021-03-13 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Critical Studies in Improvisation / Études critiques en improvisation (JOURNAL) |
| Journal identifiers | ISSN: 1712-0624 • E-ISSN: 1712-0624 |
| Publisher | University of Guelph (PUBLISHER) |
| DOI | 10.21083/csieci.v14i1.6424 |
| OpenAlex | W3139148554 |
| Language | EN |
Karen Ng and Scott Thomson reflect on the impact of the pandemic on the field of creative improvised music from their perspectives as performers, composers, and presenters. Along the way, they explore the nature and limitations of livestream performance, and articulate why, as co-programmers of the Guelph Jazz Festival, they have not presented livestream or other digital programming during the pandemic
2019-20 coronavirus outbreak · Art · Biology · Jazz · Music festival · Pandemic · Visual arts · History · Music Technology and Sound Studies · Ecology
| Highly cited | No |
|---|