The floral smell of sanctity and the semiotics of the halo

Bibliographic Data

ID21779385
AuthorsJenny Ponzo (0000-0003-4952-8933, University of Turin, corresponding author)
Year2020
Volume21
Publication date2020-08-01
Open AccessYes
TypeARTICLE
VenueOcula (JOURNAL)
Journal identifiersISSN: 1724-7810 • E-ISSN: 1724-7810
PublisherBraDypUS (PUBLISHER • IT)
DOI10.12977/ocula2020-31
OpenAlexW3042652627
LanguageEN
Citations received1
References cited4

The hagiographic discourse often uses floral metaphors to describe spiritual qualities. This is the case for instance with Thrse of Lisieux's autobiography, in which the saint compares herself to humble flowers, and in particular to the violet, which is not evident for her shape, but attracts the attention thanks to her scent. The same metaphor is developed by Pius XII in the discourse he pronounced in occasion of the beatification of Frre Bnilde in 1948. The violet is also one of the flowers the scent of which is connected to the charisma of the osmogenesis, which Catholic tradition describes as a particular gift of the saints consisting in being surrounded by an extremely good scent, which remains in the places where they go, on the objects that they touch, and sometimes emanates from the body even after death. The floral scent works in this case as an indexical sign. The osmogenesis can be compared with the concept of aura present in many cultures: the representation of a halo of fragrance can be interpreted as an alternative to a more frequent figurativization of the aura consisting in the representation of a luminous and coloured halo around the human body. The halo, both in its olfactory and visual variants, works as a particular semiotic system, entailing both spatial and temporal features

Aesthetics · Art · Astronomy · Galaxy · Halo · Linguistics · Physics · Semiotics · Communication · Culinary Culture and Tourism · Philosophy · Psychology

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