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A ten ogród, czarowna sielanka Londynu”. Juliusz Słowacki i St. James’s Park na tle kulturowej historii miejskiego parku

Bibliographic Data

ID21782450
AuthorsMarcin Leszczyński (0000-0001-5321-9231, University of Warsaw, corresponding author)
Year2024
Volume36
Issue2
Pages55-76
Publication date2024-12-31
Open AccessYes
TypeARTICLE
VenuePorównania (JOURNAL)
Journal identifiersISSN: 1733-165X • E-ISSN: 1733-165X
PublisherAdam Mickiewicz University Poznan (PUBLISHER)
DOI10.14746/por.2024.2.3
OpenAlexW4408650883
LanguagePL
References cited4

The essay explores the relationship between nineteenth-century urban parks in London and the discourses of modernity, using the example of St. James’s Park depicted in Juliusz Słowacki’s Kordian. The opening scene from Act II is placed in the context of the historical transformation of the park and against the backdrop of debates among urban reformers regarding the utility of parks (their role in promoting contact with nature and shaping religious and social attitudes). The article thus reveals Kordian’s historical and cultural (additionally also metaphysical) unawareness concerning the semantic richness of the space in which he embarks on his initiation journey throughout Europe. Consequently, this exposes the protagonist’s illusion concerning the possibility of returning to the state before industrialization, urbanization and the progressive democratization of society. Analysed in juxtaposition with the works of Pückler-Muskau and Byron, the scene demonstrates how Słowacki imbues Kordian with a naïve consciousness associated with the concept of rus in urbe and a return to the Garden of Eden, which are impossible to realise in the post-natural world, but only imitated in a city park in the capital of the industrial world

Archaeology · Geography · Central European Literary Studies · Historical and Cultural Studies of Poland · Urban Development and Cultural Heritage · Forestry

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  • Jak smakował "dym węgli"? Nieostatnia glosa do "Kordiana

    Open Access•Wojciech Tomasik•Teksty Drugie•2020

Highly citedNo

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