Romantic female friendships as resistance
Subversive web series in the United States and India
Bibliographic Data
| ID | 21783250 |
|---|---|
| Authors | Molly Bandonis (Southern Illinois University Carbondale, corresponding author), Namrata Rele Sathe (0000-0001-5759-3706, Southern Illinois University Carbondale) |
| Year | 2020 |
| Volume | 18 |
| Issue | 1 |
| Pages | 65-82 |
| Publication date | 2020-01-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | New Review of Film and Television Studies (JOURNAL) |
| Journal identifiers | ISSN: 1740-0309 • E-ISSN: 1740-7923 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17400309.2019.1664052 |
| OpenAlex | W3000215056 |
| Language | EN |
| References cited | 19 |
The current representative wave of romantic female friendships (Girls, Broad City, Insecure) in the United States owes a great deal to the web series. The online platform bypasses conventions of the romantic comedy, which prioritize heterosexual romance over female relationships. This article seeks to bring two geographies (United States and India) into conversation with one another via a textual analysis of two such web series: Brown Girls (US) and Ladies Room (India). These stories of female friendship explore the unique concerns of urban female identity, sexuality, and solidarity. A central question we address in this textual dialogue is how these representations subvert and critically engage their respective political climates of neoconservatism. Brown Girls and Ladies Room move away from prioritizing heteronormative relationships reflects the transcultural disillusionment with the ideology of containment that defines the genre of romantic comedy. The acceptance of the romantic female friendship narrative within the mainstream thus fosters new critiques of old illusions of monogamous coupling, feminine duty, and heteronormative subjectivities
Aesthetics · Art · Comedy · Friendship · Idealization · Ideology · Lesbian · Literature · Mainstream · Narrative · Political science · Politics · Romance · Social science · Sociology · Cinema and Media Studies · Gender Studies · Gender, Feminism, and Media · Law · South Asian Cinema and Culture
| Highly cited | No |
|---|