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Intent and reality

Driving forces in the development of popular music in the GDR

Bibliographic Data

ID21783581
AuthorsMichael Rauhut (University of Agder, corresponding author)
Year2022
Volume14
Issue2
Pages167-182
Publication date2022-06-22
Open AccessNo
TypeARTICLE
VenuePopular Music History (JOURNAL)
Journal identifiersISSN: 1740-7133 • E-ISSN: 1743-1646
PublisherEquinox Publishing (PUBLISHER • GB)
DOI10.1558/pomh.21700
OpenAlexW4328017880
LanguageEN
References cited6

The development of popular music in the GDR was managed and controlled by the state. The state monopolized the production and distribution of music and kept its social use under surveillance, enacting a multitude of laws intended to shore up its own claim to power. While the administrative hold of the state left behind deep marks on the aesthetics and attitudes of East German rock and pop music, its grip was never absolute. Leading political ideas were continually being undermined by musicians and fans, but also by the state apparatus itself. In practice, the principle of expediency held court, and the path of least resistance was chosen. Small capitalist structures became increasingly prevalent, while everyday music culture atomized into niches. The fissure between intention and reality, with its attendant contradictions and tensions, operated as an important source of impetus and momentum for popular music in the GDR. Historical research that looks to advance to the heart of the subject must keep a view to the intricate processes of negotiation and power structures. This article considers the specific dynamics at play in light of three examples: the means of production, of publicity, and of interpretation

Aesthetics · Art · German · Ideology · Media studies · Multitude · Music education · Music industry · Negotiation · Political science · Politics · Popular music · Publicity · Sociology · Visual arts · Eastern European Communism and Reforms · European history and politics · German History and Society · History · Law

  • With God and Guitars

    Michael Rauhut•Popular Music & Society•2017

  • Popular Music and Historiography

    Charles Hamm•Popular Music History•2004

  • Strategies for reconstructing the popular past

    Open Access•Sarah Thornton•Popular Music•1990

  • The Meanings in the Music and the Music's in Me

    Open Access•George H Lewis•Theory Culture & Society•1983

Highly citedNo

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