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Inside the tape recorder factory

Manufacturing and distributing music devices in 1950s and 1960s GDR

Bibliographic Data

ID21783631
AuthorsBrian Burkhart (0000-0001-6570-4568, University of Music and Performing Arts Graz, corresponding author), Benjamin Burkhart
Year2022
Volume14
Issue2
Pages150-166
Publication date2022-06-22
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePopular Music History (JOURNAL)
Journal identifiersISSN: 1740-7133 • E-ISSN: 1743-1646
PublisherEquinox Publishing (PUBLISHER • GB)
DOI10.1558/pomh.21712
OpenAlexW4328017892
LanguageEN
References cited6

Technical media such as playback devices play a key role in popular music culture. Hence, it is hardly surprising that extensive cultural-historical research with a focus on such devices has already been conducted. But almost all researchers working on the cultural history of playback devices in Germany concentrate on West Germany, while the media history of the GDR is treated marginally. In this article, I aim to contribute to the historiography of the GDR’s popular music with a focus on material culture. In doing so, I analyse archival material of the state-owned company VEB Messgerätewerk Zwönitz, which manufactured tape recorders in the 1950s and 1960s. The focus is on documents regarding the tape recorder BG 20. The sources, for example technical reports, advertisements, and letters from the government, demonstrate that the manufacturing of music devices in the GDR was highly influenced by the political conditions

Archaeology · Art · Electrical engineering · Historiography · Linguistics · Media studies · Music education · Music industry · Political science · Politics · Popular music · Sociology · Tape recorder · Visual arts · Arts, Culture, and Music Studies · Computer Science · Engineering · European history and politics · German History and Society · History · Law

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Citation velocityhistorical
Highly citedNo

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