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Kipling's famine-romance

"Masculinity, gender and colonial biopolitics in "William the Conqueror

Bibliographic Data

ID2178459
AuthorsAlex Tickell (0000-0001-9271-3873)
Year2009
Volume45
Issue3
Pages251-262
Publication date2009-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Postcolonial Writing (JOURNAL)
Journal identifiersISSN: 1744-9855 • E-ISSN: 1744-9863
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17449850903064674
OpenAlexW1976258286
LanguageEN
Citations received1
References cited9

Our present understanding of colonial masculinity is strongly mediated by Kipling’s fictional representation of late 19th‐century India as a space of male self‐determination and imperial service. This article concentrates on one of Kipling’s short stories, published in American and British women’s magazines and speculates on how a female audience might have caused Kipling to modify his (conventional) depiction of Anglo‐Indian gender relations. Drawing on Giorgio Agamben’s work and reviewing the history of colonial famine relief, I suggest that the formal conjunction of the romance genre with the unusual setting of a famine‐relief camp is the key to Kipling’s “gender transactions” in this story, and can be read as an indicator of the “biopolitical” logic of the camp as a space of sovereign exception

Art · Biopower · Colonialism · Depiction · Famine · Literature · Masculinity · Political science · Politics · Representation (politics · Romance · Sociology · American and British Literature Analysis · American Literature and Culture · Borges, Kipling, and Jewish Identity · Gender Studies · History · Law

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