Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

The Mistress of Bond

Eileen Sullivan, and the Role of Cutting the Cloth of James Bond's Wardrobe and Beyond

Bibliographic Data

ID21785047
AuthorsLlewella Chapman (corresponding author)
Year2024
Volume21
Issue4
Pages465-492
Publication date2024-10-01
Open AccessYes
TypeARTICLE
VenueJournal of British Cinema and Television (JOURNAL)
Journal identifiersISSN: 1743-4521 • E-ISSN: 1755-1714
PublisherEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/jbctv.2024.0739
OpenAlexW4402844622
LanguageEN
Citations received1
References cited13

This article spotlights the work of Eileen Sullivan and her career as a wardrobe mistress, later wardrobe supervisor, which included working on the James Bond films from Dr No (1962) until You Only Live Twice (1967). It will further consider how her career and role as a wardrobe mistress and supervisor changed within the British film industry from the mid-1940s until the mid-1980s, through personal papers shared by her family with me. Alongside this, the article draws upon papers available in the Film Finances Archive, the British Film Institute (BFI) and the British Library. This article will work to redress the absence in scholarship on the labour provided by costume workers below that of the costume designer, which as Melanie Williams (2016) has previously recognised, has been rendered invisible despite their costume work appearing on screen that contributes to the overall visual coherence of a film’s design. It will also address the difficulties of researching the work of wardrobe personnel who have hitherto remained unacknowledged in broader scholarship, and analyse the role of the wardrobe mistress and supervisor including agency and labour, and the impact of caring responsibilities on this ‘gendered’ role

Art · Art history · Bond · Economics · Performance art · Sociology · Cinema and Media Studies · Shakespeare, Adaptation, and Literary Criticism · Theatre and Performance Studies · Finance

  • Dressing Gainsborough Pictures

    Open Access•Melanie Bell•Journal of British Cinema and…•2026

  • The Girl You Don't See

    Melanie Williams•Feminist Media Histories•2016

  • The gendered impact of caring responsibilities on parents’ experiences of working in the film and television industries

    Susan Berridge•Feminist Media Studies•2020

  • Resisting Hollywood dominance in sixties British cinema

    Open Access•Duncan Petrie•Historical Journal Of Film Radio…•2016

  • Gendered Labour, Gender Politics

    Kate Fortmueller•Historical Journal Of Film Radio…•2018

  • Feminist histories of costuming film

    Open Access•Melanie Bell•Screen•2023

Citations per year1
Citation span2026 - 2026 (1)
Highly citedNo

Tools

Open DOI
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae