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The uses of the passport

The Chess Playersand narratives of British nationhood

Bibliographic Data

ID2178523
AuthorsPrem Poddar
Year2010
Volume46
Issue5
Pages517-528
Publication date2010-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Postcolonial Writing (JOURNAL)
Journal identifiersISSN: 1744-9855 • E-ISSN: 1744-9863
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17449855.2010.517057
OpenAlexW1986902558
LanguageEN
Citations received1
References cited6

This essay investigates the cultural and political genealogy of the passport in the 19th century, as a document that sought to secure the rights of European national citizenship. Examining the historical case of Malika Kishwar (or Jenabi Auliah Tajara Begum), the Begum of Oudh, who led a delegation to London to petition the Queen and parliament against the annexation of Oudh, it shows how liberal concepts of the rights of citizenship were contradicted and undermined by the treatment of imperial “subjects” in Britain. These vexed themes of national‐colonial legitimacy, which presage postcolonial immigration debates, are simultaneously traced in a reading of Satyajit Ray's film The Chess Players (1977), which adapts a short story by Premchand to interrogate the rigged diplomatic game of annexation in northern India prior to the 1857 rebellion

Annexation · Art · Citizenship · Colonialism · Genealogy · Immigration · Legitimacy · Literature · Narrative · Parliament · Political science · Politics · Sociology · Colonial History and Postcolonial Studies · Historical and Contemporary Political Dynamics · Politics and Conflicts in Afghanistan, Pakistan, and Middle East · Gender Studies · History · Law

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Unique citing works1
Citations per year0,13
Citation span2018 - 2018 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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