“Ain’t Nobody Gone Take It from You!”
Dancing with David and the Shulammite as Frame for Junkanoo and Bahamian Identity
Bibliographic Data
| ID | 21785279 |
|---|---|
| Authors | Fiona C Black (Mount Allison University, corresponding author) |
| Year | 2021 |
| Volume | 11 |
| Issue | 2 |
| Publication date | 2021-03-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Postscripts The Journal of Sacred Texts Cultural Histories and Contemporary Contexts (JOURNAL) |
| Journal identifiers | ISSN: 1743-887X • E-ISSN: 1743-8888 |
| Publisher | Equinox Publishing (PUBLISHER • GB) |
| DOI | 10.1558/post.18259 |
| OpenAlex | W3134687806 |
| Language | EN |
| References cited | 6 |
Dance, in both its historical formulations during the slave trade and its contemporary manifestations in carnival celebrations, has enormous significance for numerous Caribbean cultures. Using some biblical texts to think with (2 Sam 6: 14; Song 6: 13), this paper explores the historical and contemporary event of Junkanoo as a reflection of Bahamian culture and its interaction with colonialism and contemporary tourism. Junkanoo is not explicitly biblical or religious, though it does show the marks and tussles of colonization and hence Christianization. The biblical moments of movement and resistance considered here frame dance in various and interesting ways—as the vehicle for emotional expression, as liberation, as licensed revolt, as the tool of empire—allowing for exploration of dance as a multi-valent, political act, as much as a powerful reflection of affect
Aesthetics · Archaeology · Art · Christianity · Christianization · Colonialism · Dance · Literature · Media studies · nobody · Political science · Politics · Sociology · Caribbean and African Literature and Culture · Caribbean history, culture, and politics · History · Law · Music History and Culture
| Highly cited | No |
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