Far from Houdini
The ‘Magic’ of the VFX Breakdown
Bibliographic Data
| ID | 21787439 |
|---|---|
| Authors | Nick Jones (0000-0001-6352-0634, University of York, corresponding author) |
| Year | 2023 |
| Volume | 18 |
| Issue | 1 |
| Pages | 42-58 |
| Publication date | 2023-03-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Animation (JOURNAL) |
| Journal identifiers | ISSN: 1746-8477 • E-ISSN: 1746-8485 |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/17468477231155541 |
| OpenAlex | W4360620089 |
| Language | EN |
| Citations received | 4 |
| References cited | 15 |
VFX (visual effects) breakdowns are short ancillary videos that advertise the digital animation work undertaken by a VFX company for a particular film or television programme. Claiming to take viewers ‘behind the magic’ of VFX, breakdowns disassemble a wide variety of shots and sequences, and point to the extensive use of computer-generated imagery in contemporary blockbuster cinema. But, as much as breakdowns reveal some illusions, they conjure others. Breakdowns operate in a register of speed, fluidity and efficacy, showing neither the many people nor the extensive periods of time that it takes to painstakingly generate all these VFX. In this article, the author reveals how the omission of labour and duration in VFX breakdowns both reflects and contributes to a broader (mis)understanding of digital effects as immaterial, instantaneous and magical. His case study is Spider-Man: Far From Home (2019), a film that links VFX with magic, evokes the breakdown in some of its spectacular visuals, and even outright villainizes those effects artists who seek fair recognition for their work
Advertising · Animation · Art · Business · Film industry · Illusion · Motion picture · Movie theater · Special effects · Visual arts · Cinema and Media Studies · Computer Science · Digital Games and Media · Media, Gender, and Advertising · Psychology · Artificial Intelligence
| Citations per year | 1 |
|---|---|
| Citation span | 2022 - 2026 (5) |
| Highly cited | No |