Revisionary "-scapes" of globality in the work of Wilson Harris
Introduction
Bibliographic Data
| ID | 2178747 |
|---|---|
| Authors | Lorna Burns (0000-0002-2142-8853), Wendy Knepper (0000-0001-8729-3800) |
| Year | 2013 |
| Volume | 49 |
| Issue | 2 |
| Pages | 127-132 |
| Publication date | 2013-05-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Postcolonial Writing (JOURNAL) |
| Journal identifiers | ISSN: 1744-9855 • E-ISSN: 1744-9863 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17449855.2013.776361 |
| OpenAlex | W2224052398 |
| Language | EN |
| References cited | 7 |
Throughout a literary career spanning more than 50 years (2010 marked the 50th anniversary of the publication of Palace of the Peacock), the Guyanese novelist Wilson Harris has maintained a reputat
Globality · Globalization · Political science · Work (physics · Caribbean and African Literature and Culture · Caribbean history, culture, and politics · Diaspora, migration, transnational identity · Engineering · History · Law
| Highly cited | No |
|---|