Pluralism and cultural imperialism in the network filmsBabelandLantana
Bibliographic Data
| ID | 2178793 |
|---|---|
| Authors | Vivien Silvey |
| Year | 2013 |
| Volume | 49 |
| Issue | 5 |
| Pages | 582-595 |
| Publication date | 2013-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Postcolonial Writing (JOURNAL) |
| Journal identifiers | ISSN: 1744-9855 • E-ISSN: 1744-9863 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17449855.2013.842738 |
| OpenAlex | W1990840429 |
| Language | EN |
| Citations received | 1 |
| References cited | 18 |
The multinational film Babel (2006) and the Australian film Lantana (2001) dwell on controversies surrounding international and multicultural relationships. They belong to a genre termed network cinema, which focuses on social problems and responds to the
Aesthetics · Art · Art history · Epistemology · Hollywood · Literature · Media studies · Movie theater · Multiculturalism · Narrative · Pluralism (philosophy · Political science · Politics · Sociology · Cinema and Media Studies · Media, Gender, and Advertising · South Asian Cinema and Culture · History · Law
Australian Cinema After Mabo
The Way Hollywood Tells It
For a comparative film studies
Hollywood and the world
Art Cinema as Institution
The international film festival and the making of a national cinema
Colonialism, Racism and Representation
Global Hollywood 2
Reel Bad Arabs
Concepts of transnational cinema
| Citations per year | 0.17 |
|---|---|
| Citation span | 2020 - 2020 (1) |
| Highly cited | No |