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“Our American Optimism”

Race, Recognition, and Belonging in Claudia Rankine’s Don’t Let Me Be Lonely: An American Lyric

Bibliographic Data

ID21788140
AuthorsMolly Mccracken (University of Edinburgh, corresponding author)
Year2024
Volume35
Issue1
Publication date2024-10-08
Open AccessYes
TypeARTICLE
VenueFORUM University of Edinburgh Postgraduate Journal of Culture & the Arts (JOURNAL)
Journal identifiersISSN: 1749-9771 • E-ISSN: 1749-9771
PublisherUniversity of Edinburgh (PUBLISHER • GB)
DOI10.2218/forum.1.10038
OpenAlexW4403761094
LanguageEN

This paper explores Claudia Rankine’s representation of the feelings of racialisation in her 2004 poetry collection Don’t Let Me Be Lonely: An American Lyric. Contextualising this work within wider debates in Afropessimist philosophy, it considers how the poet’s portrayal of emotional pain, depression, and numbness exemplify a form of ‘social death’ instigated by the ubiquitous violence of antiblackness. Through close readings of select sequences, it argues that Rankine frames death as an ongoing structure of African American experience, rather than a singular event. In turn, this paper also considers how her innovative and hybrid “American Lyric” form functions to create a new grammar for Black self-expression in an ostensibly ‘post-race’ culture that obfuscates contemporary systems of racial inequality. It argues that Rankine’s collection cultivates an ethics of attention to the experiences and pain of others, offering poetry as a form of “exhausted hope” to challenge the dehumanising force of White supremacy

Art · Degree Rankine · Optimism · Physics · Psychoanalysis · Sociology · Thermodynamics · Gender Studies · Latin American and Latino Studies · Poetry Analysis and Criticism · Psychology · Social Psychology

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