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Queering Indian documentary

An interview with Debalina Majumdar

Bibliographic Data

ID21788200
AuthorsSathyaraj Venkatesan (0000-0003-2138-1263, National Institute of Technology Tiruchirappalli, corresponding author), Rajesh James (0000-0002-2980-143X, Sacred Heart College)
Year2021
Volume15
Issue3
Pages271-280
Publication date2021-09-02
Open AccessNo
TypeARTICLE
VenueStudies in Documentary Film (JOURNAL)
Journal identifiersISSN: 1750-3280 • E-ISSN: 1750-3299
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17503280.2021.1913839
OpenAlexW3156129047
LanguageEN
References cited3

Although documentary filmmaking in India has a long tradition, one rarely sees any serious engagement with LGBTIQ issues. However, in the recent times, a new body of LGBTIQ documentaries either by heterosexual directors or by filmmakers who identify themselves as LGBTIQ, using a variety of formalistic styles, foreground intimate and multiple expressions of LGBTIQ subjectivities in their films. As a filmmaker who approaches LGBTIQ issues from inside out, Debalina Majumdar belongs to such a group of distinguished LGBTIQ filmmakers who documents homophobic violence, queer desires and forgotten queer histories. Her documentary films celebrate queer lives, emphasizes LGBTIQ rights and imagines queer futures through forging a nonconformist visual politics and through a range of poetic articulations. For her, filmmaking is a practice of reclaiming suppressed LGBTIQ desires as well as a mode of institutionalizing LGBTIQ identities. Debalina Majumdar in the present interview with Rajesh James and Sathyaraj Venkatesan discusses her filmic self, her engagement with LGBTIQ resistance movements in India and her documentary practices

Art · Art history · Documentary film · Film director · Filmmaking · Media studies · Movie theater · Political science · Politics · Queer · Sociology · Cinema and Media Studies · Gender Studies · Law · South Asian Cinema and Culture

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Highly citedNo

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