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The way of the bricoleuse

Experiments in documentary filmmaking

Bibliographic Data

ID21788209
AuthorsJill Daniels (0000-0002-0985-5916, University of East London, corresponding author)
Year2022
Volume16
Issue2
Pages127-139
Publication date2022-05-04
Open AccessNo
TypeARTICLE
VenueStudies in Documentary Film (JOURNAL)
Journal identifiersISSN: 1750-3280 • E-ISSN: 1750-3299
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17503280.2022.2048232
OpenAlexW4220843124
LanguageEN
Citations received4
References cited11

In this article, I explore the way experimental documentary film practitioners may utilize the methodology of the bricoleuse in order to create films. I refer to my experiments in documentary film practice – mediations of memory, place and subjectivities – where I deploy hybrid filmic strategies of critical realism and fictional enactment. The bricoleuse may use footage obtained through pocket cameras, mobile devices, stills, archive or found footage – including their own past films, analogue and digital – using a digital database to store footage and to provide her with an endless storehouse of digital documents that can easily be accessed and reused in infinite ways to create new practice [Baron 2014. The Archive Effect. London: Routledge, 142]. I analyse in particular My Private Life II [Daniels, Jill. 2015. dir. My Private Life II. UK. https://vimeo.com/139077147] where I used the footage from an earlier film, My Private Life [Daniels, Jill. 2014. dir. My Private Life. UK. https://vimeo.com/104385249], to create a split screen view and my short documentary essay film, Breathing Still [Daniels, Jill. 2018. dir. Breathing Still. UK. https://vimeo.com/253291495] (shown at The Mobile Innovation Network and Association [MINA] in 2018), a short epistolary film addressed to Rosa Luxemburg and shot on a pocket camera (Canon G9X)

Art · Art history · Documentary film · Film director · Filmmaking · Media studies · Movie theater · Realism · Sociology · Visual arts · Artistic and Creative Research · Cinema and Media Studies · Digital Media and Philosophy

  • Smart storytelling

    Max Schleser•Studies in Documentary Film•2022

  • Digitalizing Xianchang

    Open Access•Jinyan Zeng•Studies in Documentary Film•2025

  • From naked bike rides to spectacles of motion

    Kornelia Boczkowska•Studies in Documentary Film•2023

  • American pet cemeteries in history and fiction

    Kornelia Boczkowska•Rethinking History•2025

  • On Longing

    Susan Stewart•On Longing•1993

  • Mobilising stillness

    Wyn Mason•Journal of Media Practice•2012

  • Bricolage, Hybridity, Circularity

    Catharine Rossi•Design and Culture•2013

Citations per year1
Citation span2022 - 2025 (4)
Highly citedNo

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