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Smartphone filmmaking for queer Australian documentary

Bibliographic Data

ID21788232
AuthorsPatrick Kelly (0009-0008-1265-6513, RMIT University, corresponding author)
Year2022
Volume16
Issue2
Pages140-155
Publication date2022-05-04
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueStudies in Documentary Film (JOURNAL)
Journal identifiersISSN: 1750-3280 • E-ISSN: 1750-3299
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17503280.2022.2048233
OpenAlexW4220689806
LanguageEN
Citations received2
References cited18

This article draws on my experience creating the film What's With Your Nails? (2018), a film about queerness, normality, slowness, and painting fingernails, and which embraces the affordances of smartphone filmmaking for queer documentary production in Australia. Documentary practices in this field are notable for a ‘privileging of authenticity’ through a subjective perspective, and there has been a history of queer filmmakers utilising accessible production technologies. The utilisation of hyper-accessible smartphone technologies presents an opportunity for queer activist filmmakers to make work that alters what we think of empowerment and self-identity by being different to mainstream media. In this article, I observe these concepts at play in notable historical contributions to queer Australian documentary, before discussing the creation of my own film, which was created in response to mainstream representations during and after the successful Australian Marriage Equality Postal Survey in 2017. As such, I argue that mobile media devices are ideal, hyper-accessible tools that can be used to interrogate subjectivities, generate material unlike that seen in mainstream media, and contribute to a growing history of queer documentary in Australia that changes the way we think about representation

Aesthetics · Art · Empowerment · Filmmaking · Mainstream · Media studies · Movie theater · Political science · Queer · Sociology · Visual arts · Cinema and Media Studies · Gender Studies · Law · Radio, Podcasts, and Digital Media · Sexuality, Behavior, and Technology

  • Smart storytelling

    Max Schleser•Studies in Documentary Film•2022

  • Manifesto as method for a queer screen production practice

    Open Access•Stayci Taylor, Angie Black et al.•Studies In Australasian Cinema•2023

  • A Companion to Contemporary Documentary Film

    Alexandra Juhasz, Alisa Lebow•Companion to Contemporary…•2015

  • YouTube Stylo

    Open Access•Alexandra Juhasz•2012

  • Queering Practice-Led Research

    Dallas J Baker•Creative Industries Journal•2011

  • “If You Don't Like Gay Marriage, Don't Get One!”

    Stephanie N Webb, Stephanie Webb et al.•Journal of GLBT Family Studies•2017

  • Top or bottom

    Andrew Reilly•Psychology and Sexuality•2016

  • After Marriage

    Open Access•Páraic Kerrigan•Television & New Media•2020

  • Aesthetics of queer becoming

    Jia Tan•Critical Studies in Mass…•2016

  • The political impact of the Sydney Gay and Lesbian Mardi Gras

    Ian Marsh, Larry Galbraith•Australian Journal of Political…•1995

Unique citing works2
Citations per year0,5
Citation span2022 - 2023 (2)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae