Working inside/out films division
The discursive documentary practices of Joshy Joseph
Bibliographic Data
| ID | 21788247 |
|---|---|
| Authors | Rajesh James (0000-0002-2980-143X, Sacred Heart College, corresponding author) |
| Year | 2024 |
| Volume | 18 |
| Issue | 2 |
| Pages | 147-159 |
| Publication date | 2024-05-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Studies in Documentary Film (JOURNAL) |
| Journal identifiers | ISSN: 1750-3280 • E-ISSN: 1750-3299 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17503280.2024.2305265 |
| OpenAlex | W4391349897 |
| Language | EN |
| References cited | 5 |
Films Division stands as one of the pioneering institutions in post-independent India that played a crucial role in shaping and envisioning the country's identity as a post-colonial nation. Established in 1948, it is the largest repository of moving images in India. Despite being a state-regulated institution responsible for overseeing the production and distribution of newsreels and documentary films to support the objectives of nation building, integration, and development, there is a school of filmmakers inside Films Division who made films beyond the perceived boundaries of the institution. Identified as the 'transient outliers', these filmmakers have created experimental films within Films Division that challenged the collective and homogeneous vision of Films Division films. Joshy Joseph is one among the transgressive voices within the institution who has created innovative and experimental cinematic works despite operating within the confines of state censorship. In the context of the recent decision by the Union Ministry of Information and Broadcasting to merge Films Division with the National Film Development Corporation, this interview with Joseph explores his life and politics as a filmmaker in Films Division. The interview also delves into Joseph's creative contributions, including innovative editing, incorporation of found footage, and utilization of still images, which emphasize his unique cinematic style
Aesthetics · Art · Documentary film · Media studies · Political science · Sociology · Visual arts · Cinema and Media Studies · South Asian Cinema and Culture · South Asian Studies and Conflicts
| Highly cited | No |
|---|