Twenty Two (2015)
A sentimental, fast-moving consumer goods (FMCG) of the comfort women
Bibliographic Data
| ID | 21788521 |
|---|---|
| Authors | Shuoyuzhou Li, Mecca Jing Li, Zeyuan Wu (0009-0005-3867-2317), Ruofeng Xu (0000-0003-2627-3624), Yue Huang (0000-0001-6993-3253), Xiaoyu Xia (0009-0008-1860-6197, The People's Hospital of LinXia, corresponding author), Xia Xiaoyu, Yvonne Lin (The People's Hospital of LinXia, corresponding author) |
| Year | 2021 |
| Volume | 15 |
| Issue | 2-3 |
| Pages | 226-235 |
| Publication date | 2021-09-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Chinese Cinemas (JOURNAL) |
| Journal identifiers | ISSN: 1750-8061 • E-ISSN: 1750-807X |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17508061.2021.2002609 |
| OpenAlex | W3214613839 |
| Language | EN |
This is an excerpt of the roundtable discussion on Twenty Two (Er shi er, 2015) organized by Deep Focus and was originally published on August 31, 2017. Following the delayed release of the documentary in 2017, as it deals with the sensitive subject matter of China’s surviving WWII comfort women, the roundtable addressed the aesthetic and ethical debates that this commercially successful documentary sparked: Whether the use of pillow shots is poetic or pointless? Is Twenty Two best understood as a sentimental, superficial “fast-moving consumer-goods documentary” of the comfort women? Is Twenty Two a good (technically accomplished) or bad (aesthetically and morally problematic) film? The panelists pointed out that the documentary fails to attend to gendered issues, historical reflections, and the violence of revictimization
Advertising · Aesthetics · Art · Business · China · Consumer Culture · Documentary film · Fast-moving consumer goods · Literature · Media studies · Poetry · Political science · Sociology · Subject matter · Computer Science · History · Law · Political and Economic history of UK and US
| Highly cited | No |
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