In the name of love
Female impasses within capitalist logic in Lou Ye’s The Shadow Play
Bibliographic Data
| ID | 21788558 |
|---|---|
| Authors | Chialan Sharon Wang (0000-0001-6794-9788, Oberlin College, corresponding author) |
| Year | 2022 |
| Volume | 16 |
| Issue | 3 |
| Pages | 298-314 |
| Publication date | 2022-09-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Chinese Cinemas (JOURNAL) |
| Journal identifiers | ISSN: 1750-8061 • E-ISSN: 1750-807X |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17508061.2022.2114732 |
| OpenAlex | W4294683362 |
| Language | EN |
| References cited | 17 |
Aesthetics · Art · Psychoanalysis · Sociology · Cinema and Media Studies · Gender Studies · Gender, Feminism, and Media · History · Irish and British Studies · Psychology
The Urban Generation
Work and Family in Urban China
The Long Revolution
Cruel Optimism
Intuitionists
Memory, Subjectivity and Independent Chinese Cinema
Capitalism's Sexual History
Encountering Affect
Sexed Bodies, Sexualized Identities, and the Limits of Gender
Dull sex in a messy Square
Gender, Capitalism and Globalization
Bringing theJiaBack intoGuojia
Globalization, China, and International Feminism
| Highly cited | No |
|---|