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Penguinizing dub

Paratextual frames for transnational protest in Linton Kwesi Johnson'sMi Revalueshanary Fren

Bibliographic Data

ID2178904
AuthorsHenghameh Saroukhani
Year2015
Volume51
Issue3
Pages256-268
Publication date2015-05-04
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Postcolonial Writing (JOURNAL)
Journal identifiersISSN: 1744-9855 • E-ISSN: 1744-9863
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17449855.2014.977493
OpenAlexW2469866353
LanguageEN
Citations received1
References cited8

The publication of Linton Kwesi Johnson’s Penguin Modern Classics collection of poetry Mi Revalueshanary Fren (2002) has reignited debates concerning the literary qualities of dub poetry and its need for political contextualization. While Johnson’s poems have traditionally been read as enunciating the alienation and agitation of a generation of almost exclusively black Britons in the 1970s and 1980s, this article argues that his Modern Classics text unfetters his poetry from such a strictly located and oppositional historical context. By examining Penguin’s paratextual framing of the collection’s 1980s verse, it explores the ways in which Mi Revalueshanary Fren offers a refiguration of Johnson’s incendiary poetics, one that unearths a more meditative rhetoric of transnational and translocal protest. Penguin’s paratextual reframing of Johnson’s poetry marks a process of what is termed here “Penguinizing dub”, which enables new thresholds of interpretation that engage the material circumstances of the text’s publication with the enduring, 21st-century textuality of Johnson’s verses

Art · Art history · Context (archaeology · Contextualization · Framing (construction · Interpretation (philosophy · Linguistics · Literature · Poetics · Poetry · Political science · Politics · Rhetoric · Textuality · Irish and British Studies · Postcolonial and Cultural Literary Studies · South African History and Culture · History · Law · Philosophy

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  • Mongrel Nation

    Open Access•Ashley Dawson•Mongrel Nation•2007

  • Introduction to the Paratext

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  • Jamaican rebel music

    Open Access•Linton Kwesi Johnson•Race & Class•1976

Unique citing works1
Citations per year0,08
Citation span2014 - 2014 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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