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Pitching Opera

Innovating New Music Theater at Banff and Stratford, 1970–1990

Bibliographic Data

ID21789105
AuthorsColleen Renihan (0000-0002-4480-6044, corresponding author)
Year2020
Volume14
Issue1
Pages33-50
Publication date2020-02-01
Open AccessYes
TypeARTICLE
VenueJournal of the Society for American Music (JOURNAL)
Journal identifiersISSN: 1752-1963 • E-ISSN: 1752-1971
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s1752196319000531
OpenAlexW2999970371
LanguageEN
References cited6

The Banff Summer Festival of the Arts and the Stratford Summer Music Festival have been unrecognized sites of operatic innovation in Canada. Indeed, the flourishing of what might be termed “new music theater” in Canada is imbricated with the history of these two festivals. Archival research reveals that the inventive, often revolutionary, approaches to music theater honed at Stratford and Banff from 1970–1990 ultimately defined the course of Canadian new music theatre in the decades that followed. Founded in 1953 as a Shakespeare festival, the Stratford Festival eventually became renowned for its (nearly exclusive) focus on musical theater. At Banff, discussions about generic innovation occurred regularly, producing what I suggest was one of the foremost centers in the world for innovation in music theater. Charting the development of opera in Canada through conversations that took part at the Banff and Stratford festivals during the period 1970–1990 reveals the unique possibilities that the peripheral positioning of these festivals—aesthetically, critically, and geographically—offered to the development, dissemination, and innovation of so-called new music theater in Canada

Aesthetics · Art · Art history · Flourishing · Music festival · Musical · Opera · The arts · Visual arts · History · Psychology · Shakespeare, Adaptation, and Literary Criticism · Theater, Performance, and Music History · Theatre and Performance Studies

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Highly citedNo

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