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Between the Ocean and the Ground

Giving Surfaces

Bibliographic Data

ID21790497
AuthorsJames Martell (0000-0002-4775-1448, corresponding author)
Year2024
Volume17
Issue2
Pages211-223
Publication date2024-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueDerrida Today (JOURNAL)
Journal identifiersISSN: 1754-8519 • E-ISSN: 1754-8500
PublisherEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/drt.2024.0341
OpenAlexW4398134407
LanguageEN
References cited7

Beginning right at the start of the recently published volume II of Donner le temps, at its ‘bord’ or ‘boarding’ upon or out of a calmy oceanic surface, this essay examines the functions and movements of distinct surfaces in between Heidegger and Derrida. Confronting thus the tradition of the ‘Grund’, ‘Abgrund’, ‘Urgrund’, ‘Ungrund’, with the khôra-like surface of archi-writing and dissemination, the essay proposes an investigation of the philosophical and writerly space of Derrida/Heidegger not through their marks and letters, but instead through the different surfaces of inscription and – simultaneous – effacement as the ‘proper places’ of thought and experience, of Destruktion and deconstruction

Astrobiology · Physics · Literature and Cultural Memory · Phenomenology and Existential Philosophy · Philosophy · Philosophy, Ethics, and Existentialism

  • The Truth in Painting

    Jacques Derrida, Geoffrey Bennington et al.•The Truth in Painting•1987

  • Moby-Dick, or, the Whale /

    Herman Melville•1851

  • Der Ursprung des Kunstwerkes

    Martin Heidegger•Der Ursprung des Kunstwerkes•2012

  • Dissemination

    Jacques Derrida, Barbara Johnson•Dissemination•1981

Citation velocityhistorical
Highly citedNo

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