The way of water in Ousmane Sembène’s Black Girl (1966) and Nikyatu Jusu’s Nanny (2022)

Bibliographic Data

ID21790609
AuthorsRebecca Wynne-Walsh (0000-0002-1282-7924, Edge Hill University, corresponding author)
Year2023
Volume15
Issue1
Pages69-84
Publication date2023-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of African Cinemas (JOURNAL)
Journal identifiersISSN: 1754-9221 • E-ISSN: 1754-923X
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/jac_00090_1
OpenAlexW4394991257
LanguageEN
References cited12

Water plays a crucial role narratively, thematically and visually in two films, which follow young Senegalese female protagonists as they emigrate in search of work and hopes of a ‘better’ life. La noire de... ( Black Girl )’s () Diouana travels to Antibes while Nanny ’s () protagonist Aisha voyages to New York. Each landscape, which provides its respective protagonist with a new home, is characterized by a distinct proximity to bodies of water. This article argues that the literal, imagined and folkloric manifestations of water in both narratives liberate their respective protagonists. Comparing these case studies allows for the assessment of the intersection of genre, folklore, cultural heritage and gendered storytelling as they are performed in almost identical stories made by a male filmmaker tied to the global decolonization movement of the 1960s and a female filmmaker who embodies the transgenerational implications of the diasporic self. Water recurs symbolically throughout both films in senses beyond the simply geographical. Water is an ideologically charged force for both characters which alternately encloses and liberates them. The character arc of each woman reaches its emotional climax in bathtubs, water acts as a force that seduces and promises clarity. Ultimately, water-based imagery and the guidance of the infamous water spirit, Mami Wata, facilitates the liberation of each protagonist as they resist the imposition of colonial power dynamics and enslavement

Art · Art history · Developmental psychology · Girl · Sociology · African history and culture studies · Gender Studies · History · Literature, Culture, and Criticism · Postcolonial and Cultural Literary Studies · Psychology

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