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The Art of Feeling

Subjective Criticism and Emotional Resonance

Bibliographic Data

ID21790674
AuthorsPatricia Pulham (University of Surrey, corresponding author)
Year2023
Volume2023
Issue34
Publication date2023-03-30
Peer ReviewedYes
Open AccessYes
TypeARTICLE
Venue19 Interdisciplinary Studies in the Long Nineteenth Century (JOURNAL)
Journal identifiersISSN: 1755-1560 • E-ISSN: 1755-1560
PublisherOpen Library of the Humanities (PUBLISHER)
DOI10.16995/ntn.10115
OpenAlexW4321613535
LanguageEN

This article is a personal reflection on the importance of ‘feeling’ and affective response in Hilary Fraser’s work, focusing on her chapter, ‘Writing in the Margins and Reading Between the Lines in Vernon Lee’s Library’, in Dalla stanza accanto: Vernon Lee e Firenze settant’anni dopo (2006) and her article, ‘Grief Encounter: The Language of Mourning in Fin-de-Siècle Sculpture’, published in Word & Image (2018). It considers the similarities between the kind of subjective criticism adopted by Walter Pater and Vernon Lee and Rita Felski’s advocation of postcritical reading as a means of coproduction to highlight how, in Fraser’s work, reflective emotion and critical analysis coalesce

Art · Criticism · Feeling · Grief · Linguistics · Literature · Poetry · Psychoanalysis · Psychotherapist · Stanza · Artistic and Creative Research · Philosophy · Psychology · Samuel Beckett and Modernism · Social Psychology · Visual Culture and Art Theory

Citation velocityhistorical
Highly citedNo

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