The Art of Feeling
Subjective Criticism and Emotional Resonance
Bibliographic Data
| ID | 21790674 |
|---|---|
| Authors | Patricia Pulham (University of Surrey, corresponding author) |
| Year | 2023 |
| Volume | 2023 |
| Issue | 34 |
| Publication date | 2023-03-30 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | 19 Interdisciplinary Studies in the Long Nineteenth Century (JOURNAL) |
| Journal identifiers | ISSN: 1755-1560 • E-ISSN: 1755-1560 |
| Publisher | Open Library of the Humanities (PUBLISHER) |
| DOI | 10.16995/ntn.10115 |
| OpenAlex | W4321613535 |
| Language | EN |
This article is a personal reflection on the importance of ‘feeling’ and affective response in Hilary Fraser’s work, focusing on her chapter, ‘Writing in the Margins and Reading Between the Lines in Vernon Lee’s Library’, in Dalla stanza accanto: Vernon Lee e Firenze settant’anni dopo (2006) and her article, ‘Grief Encounter: The Language of Mourning in Fin-de-Siècle Sculpture’, published in Word & Image (2018). It considers the similarities between the kind of subjective criticism adopted by Walter Pater and Vernon Lee and Rita Felski’s advocation of postcritical reading as a means of coproduction to highlight how, in Fraser’s work, reflective emotion and critical analysis coalesce
Art · Criticism · Feeling · Grief · Linguistics · Literature · Poetry · Psychoanalysis · Psychotherapist · Stanza · Artistic and Creative Research · Philosophy · Psychology · Samuel Beckett and Modernism · Social Psychology · Visual Culture and Art Theory
| Citation velocity | historical |
|---|---|
| Highly cited | No |