Afterword
Bibliographic Data
| ID | 21790686 |
|---|---|
| Authors | Kate Hill (0000-0002-2080-0262, University of Lincoln, corresponding author) |
| Year | 2021 |
| Volume | 2020 |
| Issue | 31 |
| Publication date | 2021-01-11 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | 19 Interdisciplinary Studies in the Long Nineteenth Century (JOURNAL) |
| Journal identifiers | ISSN: 1755-1560 • E-ISSN: 1755-1560 |
| Publisher | Open Library of the Humanities (PUBLISHER) |
| DOI | 10.16995/ntn.3043 |
| OpenAlex | W4213043810 |
| Language | EN |
| References cited | 1 |
This article forms a short afterword to this issue of 19 . It reflects on women’s ‘invisibility’ and on the processes of disciplinary formation which contributed to this, as well as the ways in which collections were and were not gendered. It reflects on methodologies and approaches to best understand the totality of collectors and collecting practices in the period
Aesthetics · Art · Discipline · Epistemology · Invisibility · Social science · Sociology · Computer Science · Historical Art and Culture Studies · Philosophy · Artificial Intelligence
| Highly cited | No |
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