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Restructuring with Anthony Trollope

Managing Change in Chronicle Provincial Fiction

Bibliographic Data

ID21790746
AuthorsRuth Livesey (0000-0001-8976-1380, Royal Holloway University of London, corresponding author)
Year2023
Volume2023
Issue35
Publication date2023-11-08
Open AccessYes
TypeARTICLE
Venue19 Interdisciplinary Studies in the Long Nineteenth Century (JOURNAL)
Journal identifiersISSN: 1755-1560 • E-ISSN: 1755-1560
PublisherOpen Library of the Humanities (PUBLISHER)
DOI10.16995/ntn.10152
OpenAlexW4384447374
LanguageEN

This article examines the series of novels by Anthony Trollope, known as the Barsetshire Chronicles, in relation to the idea of living through infrastructural transition. It contends that the novels, set in and around the fictional cathedral city of Barchester, stage a macro-level experience of living through infrastructural transition for implied readers. While the narrator’s asides convey a sense of privileged early access to the informational flows of the modern state, characters are depicted as disconnected from the wide sweep of transition and, in effect, replaceable over the diachronic span of the narrative sequence. The article draws a parallel between the innovative forms of the serial provincial novel and Trollope’s work for the Post Office — the foundational infrastructure of the fantasy of liberal government of a state of freedom in which individuals can encounter and gain knowledge of distant others to ensure the steady flow of capital and information. The article suggests an overlooked aspect of the Barchester novels is the backdrop of a profound transition of civic infrastructures and ethics of care from the local pastoral and temporal workings of the Established Church of England to the workings of the centralized utilitarian liberal state via the 1834 Poor Law and the work of the Ecclesiastical Commissioners. The Barchester novels in this sense dramatize the ‘death of the parish’ as a meaningful unit of local autonomy

Aesthetics · Art · Autonomy · Fantasy · Literature · Narrative · Political science · Sociology · Visual arts · History · Irish and British Studies · Law

Highly citedNo

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