Animating the Victorians
Disney’s Literary History by Patrick C. Fleming
Bibliographic Data
| ID | 21791129 |
|---|---|
| Authors | Chenfei Wang (0009-0004-8423-1136, Ocean University of China), C P Wang (0000-0002-8017-3299, Ocean University of China, corresponding author) |
| Year | 2026 |
| Volume | 19 |
| Issue | 2 |
| Pages | 238-240 |
| Publication date | 2026-06-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Research in Children s Literature (JOURNAL) |
| Journal identifiers | ISSN: 1755-6198 • E-ISSN: 1755-6201 |
| Publisher | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/ircl.2026.0679 |
| OpenAlex | W7165754860 |
| Language | EN |
literary criticism, which leads into a brief summary of early US YA literature, before settling down to read Marie Lu's Legend (2011) and Francisco X.Stork's Marcelo in the Real World (2009) for what the authors call exceptionalism.Beyond ruminating on commonplace understandings of individualism in the USA, it is not clear why the primary texts in hand called for an Americanist genealogy, let alone this particular Americanist route through Edwards, Paine, Emerson, Eliot, Brooks, and Howe
Literature, Film, and Journalism Analysis · Media, Gender, and Advertising · Utopian, Dystopian, and Speculative Fiction
| Highly cited | No |
|---|