Musical figures and the figuring of Tanzania's social life in the poems of Kulikoyela K. Kahigi
Bibliographic Data
| ID | 2179130 |
|---|---|
| Authors | Imani Sanga (0000-0001-5830-4419, University of Dar es Salaam, corresponding author) |
| Year | 2018 |
| Volume | 54 |
| Issue | 2 |
| Pages | 214-225 |
| Publication date | 2018-03-04 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Postcolonial Writing (JOURNAL) |
| Journal identifiers | ISSN: 1744-9855 • E-ISSN: 1744-9863 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17449855.2017.1308425 |
| OpenAlex | W2604125279 |
| Language | EN |
| Citations received | 2 |
| References cited | 17 |
Mugyabuso M. Mulokozi and Kulikoyela K. Kahigi’s collection Malenga wa Bara (Poets from the Inland), first published in 1976 and reprinted in 1995, includes a number of poems by Kahigi in which music instruments, musical styles and music-making are used as poetic devices to represent various experiences drawn from the social world. This article discusses the ways in which musical figures (i.e. sonic or musical objects) are used in these poems and the effect on their meaning and flavour. The analysis shows that such musical figures play an important role in shaping the way that the world – or realities outside the poem – are perceived sonically. These realities include work, rituals, festivals, love relationships and political struggles
Aesthetics · Art · Epistemology · Literature · Meaning (existential · Musical · Poetry · Political science · Politics · African history and culture studies · African studies and sociopolitical issues · Global Maritime and Colonial Histories · Law · Philosophy
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,29 |
| Citation span | 2019 - 2020 (2) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |