Brothers or not? The failure of Morning of the East , the first joint Soviet–North Korean film
Bibliographic Data
| ID | 21791727 |
|---|---|
| Authors | Roman Husarski (0000-0002-9264-6751, Jagiellonian University, corresponding author), A Sokolin (Jagiellonian University) |
| Year | 2024 |
| Volume | 16 |
| Issue | 1 |
| Pages | 57-73 |
| Publication date | 2024-01-02 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Japanese and Korean Cinema (JOURNAL) |
| Journal identifiers | ISSN: 1756-4905 • E-ISSN: 1756-4913 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17564905.2024.2312065 |
| OpenAlex | W4395676293 |
| Language | EN |
| References cited | 14 |
This paper studies the reasons for the banning of the first joint Soviet–North Korean film in history by North Korean authorities. Morning of the East, released in the Soviet Union as Brothers, was directed by Cheon Sang-in, Yun Yong-kyu, Vasily Losev and Ivan Lukinsky in 1957. Involving cooperation of both countries at each stage of production, it was filmed in the Gorky Film Studio and in natural locations in North Korea. Despite the significant involvement of the Korean intelligentsia and strong promotion of the film in DPRK magazines, the film was banned from distribution inside the country. The article provides historical background to the film production, and argues that the ban of Morning of the East cannot be explained by any political event alone. Rather, the film itself, heavily influenced by new trends in Soviet Thaw cinema, contrasted with the North Korean vision of socialist realism. Based on primary sources, and by providing historical context and film analysis, this article presents the history of an unsuccessful attempt to introduce the cinematic language of de-Stalinization into North Korean cinema
Ancient history · Archaeology · Art · Art history · Intelligentsia · Literature · Morning · Movie theater · Political science · Politics · Realism · Studio · Visual arts · Asian Culture and Media Studies · History · Japanese History and Culture · Korean Peninsula Historical and Political Studies · Law · Medicine
General History of Chinese Film I
The Stalinist Era
Female warrior imagery in the North Korean film A Partisan Maiden (1954) and the Soviet film Zoya (1944)
Soldiers on the Cultural Front
Snow Melts in Spring
Memories of the demos and popular Korean moving image narrative
North Koreans at the movies
Trouble Brewing
The ‘cinematic poetry’ of the Thaw
| Highly cited | No |
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