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Wizard of the Crow(2006) by Ngũgĩ wa Thiong'o as a postcommunist novel

Bibliographic Data

ID2179229
AuthorsDobrota Pucherova (0000-0003-3789-6317, Slovak Academy of Sciences, Bratislava, Slovakia)
Year2019
Volume55
Issue1
Pages5-19
Publication date2019-01-02
Open AccessNo
TypeARTICLE
VenueJournal of Postcolonial Writing (JOURNAL)
Journal identifiersISSN: 1744-9855 • E-ISSN: 1744-9863
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17449855.2018.1526819
OpenAlexW2901945708
LanguageEN
References cited20

This article analyses the 2006 novel Wizard of the Crow by Kenyan author Ngũgĩ wa Thiong'o in a post-Cold War context as a postcommunist picaresque novel. Using the instruments of postcommunist and world-systems theory and comparing the novel to Eastern and Central European postcommunist writing, it shows how the concerns and aesthetics of both post-totalitarian discourses overlap. It is argued that postcolonial and postcommunist literature describes a crisis of identity symptomatic of all post-dependence cultures and represents discursive resistance to global capitalist modernity in which the meaning of the truth (historical, moral, cultural) has been destabilized. Emphasizing that any ideology can be a source of violence and colonization, Ngũgĩ's novel, like the novel of his Slovakian counterpart Peter Pišťanek, calls for the breaking down of the traditional political binaries – Marxist/liberal, communist/fascist, socialist/capitalist, patriarchal/feminist – opening up space for new meanings

Aesthetics · Archaeology · Art · Art history · Communism · Context (archaeology · Identity (music · Ideology · Literature · Marxist philosophy · Modernity · Political science · Politics · Sociology · African history and culture studies · Postcolonial and Cultural Literary Studies · Shakespeare, Adaptation, and Literary Criticism · Gender Studies · History · Law · Philosophy · Religious Studies

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Highly citedNo

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