Postcolonial untranslatability
Reading Achille Mbembe with Barbara Cassin
Bibliographic Data
| ID | 2179315 |
|---|---|
| Authors | Michael Syrotinski (0000-0002-5521-8432) |
| Year | 2019 |
| Volume | 55 |
| Issue | 6 |
| Pages | 850-862 |
| Publication date | 2019-11-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Postcolonial Writing (JOURNAL) |
| Journal identifiers | ISSN: 1744-9855 • E-ISSN: 1744-9863 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17449855.2019.1681192 |
| OpenAlex | W2991535164 |
| Language | EN |
| References cited | 7 |
Barbara Cassin’s monumental Dictionary of Untranslatables, first published in French in 2004, is an encyclopaedic dictionary of nearly 400 philosophical, literary, aesthetic and political terms which have had a long-lasting impact on thinking across the humanities. Translation is central to any consideration of diasporic linguistic border crossing, and the “Untranslatable” (those words or terms which locate problems of translatability at the heart of contemporary critical theory) has opened up new approaches to philosophically informed translation studies. This article argues that there is a far-reaching resonance between Barbara Cassin’s Dictionary of Untranslatables project and Achille Mbembe’s theorization of the postcolonial, precisely insofar as they meet at the crossroads of (un)translatability. Both texts are read performatively, in terms of their respective writing practices and theoretical “entanglements”, one of Mbembe’s key terms
Art · Art history · Key (lock · Linguistics · Literature · Politics · Reading (process · African history and culture studies · Computer Science · Postcolonial and Cultural Literary Studies · South African History and Culture · Law · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |