Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Writing and reading Zimbabwe in the global literary market

A case of four novelists

Bibliographic Data

ID2179428
AuthorsIsaac Ndlovu
Year2021
Volume57
Issue1
Pages106-120
Publication date2021-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Postcolonial Writing (JOURNAL)
Journal identifiersISSN: 1744-9855 • E-ISSN: 1744-9863
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17449855.2020.1852652
OpenAlexW3118037679
LanguageEN
Citations received1
References cited16

Utilizing and extending Kwasi Wiredu's concept of conceptual decolonization and self-exorcism, this article makes observations about the ideological underpinnings and literary trajectory of post-2000 Zimbabwean fiction in English through readings of four novels: Harare North by Brian Chikwava, We Need New Names by NoViolet Bulawayo, The Book of Memory by Petina Gappah, and The Maestro, The Magistrate and The Mathematician by Tendai Huchu. Chikwava, Bulawayo, Gappah, and Huchu self-consciously depict Zimbabwe in stereotypical terms to secure publishing contracts and to ensure the international marketability of their fiction. At the same time, they show that they are conceptually decolonized by employing insurrectionary tactics of self-exorcism which register their resistance to banal profit-driven portrayals of Zimbabwe. Thus, the article explores the paradoxical situation or what Mohammad Shabangu has called the "double bind" of how these writers employ and deploy stereotypes to ensure success in the global literary market while, at the same time, undermining them

Art · Linguistics · Literature · Reading (process · African history and culture studies · African studies and sociopolitical issues · Postcolonial and Cultural Literary Studies · History · Philosophy

  • Giving a Global Account of Oneself

    Megan Cole Paustian•differences•2024

  • The Postcolonial Exotic

    G Huggan•Postcolonial Exotic•2002

  • Postcolonial Writers in the Global Literary Marketplace

    Open Access•Sarah Brouillette•Postcolonial Writers in the…•2007

  • The field of cultural production

    Pierre Bourdieu•The field of cultural production•1993

  • Cultural Capital

    John Guillory•Cultural Capital•1993

  • Posthuman Critical Theory

    Open Access•R Braidotti•Critical Posthumanism and…•2016

  • The Economy of Prestige

    James F English•Economy of Prestige•2005

  • The Rules of Art

    Pierre Bourdieu•The Rules of Art•1996

  • Conceptual decolonization as an imperative in contemporary African philosophy

    Kwasi Wiredu•Rue Descartes•2002

  • Refusing interpellation

    Open Access•Mohammad Shabangu•Safundi•2018

  • The Caine Prize and Contemporary African Writing

    Attree Attree•Research in African Literatures•2013

  • A Continent Learns to Tell its Story at Last

    Dobrota Pucherova•Journal of Postcolonial Writing•2012

  • The global literary canon and minor african literatures

    Andrew Ede, Amatoritsero Ede•2013

  • Linguistics and Grammatology

    Jacques Derrida, G C Spivak•SubStance•1974

  • Literary Prizes, Writers' Organisations and Canon Formation in Africa

    Doseline Kiguru•African Studies•2016

Unique citing works1
Citations per year0.5
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

Tools

Open DOI
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae