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The art of Covid-19

Bibliographic Data

ID2179555
AuthorsPramod K Nayar (0000-0003-2317-6570)
Year2022
Volume58
Issue2
Pages253-264
Publication date2022-03-04
Open AccessNo
TypeARTICLE
VenueJournal of Postcolonial Writing (JOURNAL)
Journal identifiersISSN: 1744-9855 • E-ISSN: 1744-9863
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17449855.2022.2043909
OpenAlexW4226211964
LanguageEN
Citations received1
References cited24

This article examines one strand of COVID art that encodes a heteroclitic cultural imaginary – and is irregular and unsettling. Banksy's murals and paintings parody classical artworks, and are themselves parodied, so as to capture the new cultural realities of the COVID era. In the case of other artists, such as Chiara Grilli, the traditional heliotrope is parodied to convey a similar reality, like Banksy's inversion of the superhero mythology. With the employment of conventional disease-vector images, such as those of rats, Banksy brings into the human 5dwelling a "postnatural wilderness" showing the reversal of the disruption of ecosystems that had rendered animals habitat-less in India, with animals once again entering human spaces. Hence, the pandemic's inversion of spatialized distribution of life can be seen as a decolonial and decolonizing moment. Subsequently, the article highlights how COVID-19 art intervenes through its parodic, kitschy quality, in the discourses around the pandemic

2019-20 coronavirus outbreak · Aesthetics · Art · Art history · Biology · Coronavirus disease 2019 (COVID-19 · Disease · Infectious disease (medical specialty · Literature · Mythology · Painting · Pandemic · Psychoanalysis · The Imaginary · Wilderness · Comics and Graphic Narratives · Medicine · Psychology · Ecology · Virology

  • Combate, Sacralização E Heroísmo

    Open Access•Octávio Sacramento•Sociologia & Antropologia•2026

  • Textures of Light

    Cathryn Vasseleu•Textures of Light•2002

  • Heliotropes

    Elizabeth Deloughrey•Postcolonial ecologies•2011

  • Agency, Biography and Objects

    Janet Hoskins•Handbook of Material Culture•2006

  • Affirming Radical Equality in the Context of Covid-19

    Open Access•Supriya Akerkar•Journal of Human Rights Practice•2020

  • Writing like a rat

    Open Access•Maud Ellmann•Critical Quarterly•2004

  • Plague Writing in Early Modern England

    Ernest B Gilman•Plague Writing in Early Modern…•2009

  • The Myth of Superman

    Umberto Eco, Natalie Chilton•diacritics•1972

  • Covid-19 and ‘crisis as ordinary’

    Josh Smicker•Cultural Studies•2021

  • Parodies for a pandemic

    J Stratton•Cultural Studies•2021

  • Introduction

    J N Erni, Ted Striphas•Cultural Studies•2021

  • Covid-19 and the mundane practices of privilege

    Kumarini Silva•Cultural Studies•2021

  • Transgressing Boundaries as the Hybrid Global

    Sangeet Kumar•Popular Communication•2012

  • The performative surprise’

    Kate Kenny•Culture and Organization•2009

  • The Look of Love

    Open Access•Kelly Oliver•Hypatia•2001

  • Manipulating the Sacred

    Open Access•Louise Marshall•Renaissance Quarterly•1994

  • Political Parody and Public Culture

    Robert Hariman•Quarterly Journal of Speech•2008

  • The Long Walk

    Open Access•Pramod K Nayar•Journal of Extreme Anthropology•2020

Citations per year1
Citation span2026 - 2026 (1)
Highly citedNo

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