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A dangerous tool in the wrong hands

Sovereign technologies in Alanis Obomsawin's Is the Crown at War with Us? and Barry Barclay's The Kaipara Affair

Bibliographic Data

ID2179564
AuthorsShelley Angelie Saggar (0000-0002-1105-3090)
Year2022
Volume58
Issue4
Pages439-452
Publication date2022-07-04
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Postcolonial Writing (JOURNAL)
Journal identifiersISSN: 1744-9855 • E-ISSN: 1744-9863
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17449855.2022.2063998
OpenAlexW4280586551
LanguageEN
Citations received1
References cited15

Abenaki film-maker Alanis Obomsawin’s 2002 film Is the Crown at War with Us? and Ngāti Apa film-maker Barry Barclay’s 2005 documentary The Kaipara Affair depict tensions between Indigenous sovereignty and global capitalism through the lens of two distinct fishing rights struggles drawn from Canada and Aotearoa/New Zealand. This article examines themes of documentation, surveillance, and environmental resource extraction that echo across both films to argue that these technologies – as narrativized in Obomsawin’s and Barclay’s works – offer the potential for negotiation in a continuing anti-colonial resistance, both in the localized struggles of Esgenoopetitj/Burnt Church in Canada and Tinopai in Aotearoa/New Zealand, and further suggest potential strategies for emulation across the (post)colonial globe. Andrew Woolford’s metaphor of the settler-colonial “net” is used to analyse the depiction of fishing practices as a contested arena for global capitalism and Indigenous stewardship that is narratively and aesthetically challenged by both film-makers

Aotearoa · Capitalism · Colonialism · Frontier · Indigenous · Media studies · Neocolonialism · Political science · Politics · Sociology · Sovereignty · Stewardship (theology · Ecocriticism and Environmental Literature · Geographies of human-animal interactions · Indigenous Health, Education, and Rights · History · Law

  • Aotearoa New Zealand

    Open Access•Kirstine Moffat, David Simes et al.•The Journal of Commonwealth…•2023

  • The Empire Writes Back

    Bill Ashcroft, Gareth Griffiths et al.•Empire Writes Back•1989

  • Discipline, Territory, and the Colonial Mesh

    Open Access•A Woolford•Colonial Genocide in Indigenous…•2014

  • Reservation Reelism

    Michelle H Raheja•Reservation Reelism•2011

  • Genomic articulations of indigeneity

    Open Access•Kim Tallbear•Social Studies of Science•2013

  • Settler colonialism and the elimination of the native

    Patrick Wolfe•Journal of Genocide Research•2006

  • Activism, community and governance

    Stuart Murray•Studies In Australasian Cinema•2007

  • Visualizing Sovereignty in the Time of Biometric Sensors

    Jolene Rickard•South Atlantic Quarterly•2011

  • The Ruins of Representation

    Gerald Vizenor•The American Indian Quarterly•1993

  • Subsistence Fades, Capitalism Deepens

    Open Access•Caleb M Bush•American Behavioral Scientist•2014

  • Reading Nanook's Smile

    Open Access•Michelle Raheja•American Quarterly•2007

  • Situated Knowledges

    Donna Haraway•Feminist Studies•1988

  • Custer Died for Your Sins

    Open Access•Kenneth M Roemer, Vine Deloria•American Quarterly•1970

  • Photography's long shadow

    Justine Seran•Journal of Postcolonial Writing•2015

Unique citing works1
Citations per year0,25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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