An equal death
Satyendranath Dutta's poem on sati and widow remarriage
Bibliographic Data
| ID | 2179702 |
|---|---|
| Authors | Amitendu Bhattacharya (0000-0001-7958-857X) |
| Year | 2024 |
| Volume | 60 |
| Issue | 3 |
| Pages | 421-423 |
| Publication date | 2024-05-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Postcolonial Writing (JOURNAL) |
| Journal identifiers | ISSN: 1744-9855 • E-ISSN: 1744-9863 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17449855.2023.2232571 |
| OpenAlex | W4384823733 |
| Language | EN |
The Bengali poet Satyendranath Dutta (1882–1922) is admired for his mastery of prosody and metre. "Sahamaran" – first published in 1906 and translated here into English – is one of his memorable poems centring on the themes of child marriage, sati (widow-burning), and widow remarriage, social issues that engaged the attention of the colonizers and Bengali intelligentsia alike in the heyday of British rule in India. Retaining much of 19th- and early-20th-century Bengali literature's social reformist zeal, the poem spotlights the complicity of patriarchy and religion in the victimization of women and conveys the message that transgressing socio-religious codes is the only means of overcoming patriarchal oppression and violence. It further suggests that a woman's financial independence is vital to supporting herself and her family and having equality in her relationship with her husband. The poem, however, falls short of envisaging a female subjectivity that is not male-defined
Art · Bengali · Independence (probability theory · Intelligentsia · Linguistics · Literature · Oppression · Patriarchy · Poetry · Political science · Politics · Remarriage · Sociology · Subjectivity · Anthropological Studies and Insights · Anthropology · Politics and Conflicts in Afghanistan, Pakistan, and Middle East · South Asian Cinema and Culture · Gender Studies · History · Law · Philosophy
| Highly cited | No |
|---|