Edith Wharton, Translator
Bibliographic Data
| ID | 21798184 |
|---|---|
| Authors | Virginia Ricard (0000-0001-5789-5579, Université Bordeaux Montaigne, corresponding author) |
| Year | 2022 |
| Volume | 2 |
| Publication date | 2022-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Transatlantica (JOURNAL) |
| Journal identifiers | ISSN: 1765-2766 • E-ISSN: 1765-2766 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/transatlantica.19863 |
| OpenAlex | W4311787345 |
| Language | EN |
| References cited | 8 |
Edith Wharton played a far more important role than is usually recognized in the transformation of French perceptions of both American history and American literature in the first two decades of the twentieth century. In this article, I trace the different stages of that transformation. At first, in France, Wharton was hardly thought of as an American writer at all: she was merely a disciple of Balzac and Bourget who happened to be American. But by the early 1920s she began to be seen as the author of American novels, perhaps even the author of what she herself ironically called “the Great American Novel.”
American history · American literature · Ancient history · Art · Art history · Linguistics · Literature · American and British Literature Analysis · Classics · Cultural History and Identity Formation · History · Philosophy · Poetry Analysis and Criticism
| Highly cited | No |
|---|