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Edith Wharton, Translator

Bibliographic Data

ID21798184
AuthorsVirginia Ricard (0000-0001-5789-5579, Université Bordeaux Montaigne, corresponding author)
Year2022
Volume2
Publication date2022-01-01
Open AccessYes
TypeARTICLE
VenueTransatlantica (JOURNAL)
Journal identifiersISSN: 1765-2766 • E-ISSN: 1765-2766
PublisherOpenEdition (PUBLISHER)
DOI10.4000/transatlantica.19863
OpenAlexW4311787345
LanguageEN
References cited8

Edith Wharton played a far more important role than is usually recognized in the transformation of French perceptions of both American history and American literature in the first two decades of the twentieth century. In this article, I trace the different stages of that transformation. At first, in France, Wharton was hardly thought of as an American writer at all: she was merely a disciple of Balzac and Bourget who happened to be American. But by the early 1920s she began to be seen as the author of American novels, perhaps even the author of what she herself ironically called “the Great American Novel.”

American history · American literature · Ancient history · Art · Art history · Linguistics · Literature · American and British Literature Analysis · Classics · Cultural History and Identity Formation · History · Philosophy · Poetry Analysis and Criticism

  • L'Amérique en guerre

    Edith Wharton, Edıth Wharton•Commentaire•2022

Highly citedNo

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