Cara L. Lewis, Dynamic Form
How Intermediality Made Modernism
Bibliographic Data
| ID | 21798229 |
|---|---|
| Authors | Yasna Bozhkova (0000-0002-5727-1050, Université Sorbonne Nouvelle, corresponding author) |
| Year | 2021 |
| Volume | 1 |
| Publication date | 2021-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Transatlantica (JOURNAL) |
| Journal identifiers | ISSN: 1765-2766 • E-ISSN: 1765-2766 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/transatlantica.16624 |
| OpenAlex | W3184176167 |
| Language | EN |
| References cited | 1 |
Cara Lewis' book Dynamic Form: How Intermediality Made Modernism is among the most illuminating and thought-provoking recent publications exploring the intermedial experimentation that shaped literary modernism. While the idea of modernist intermediality is itself not new, and other studies have focused on the vibrant modernist interarts exchange, Lewis's book is particularly innovative and far-reaching in its understanding of intermedial form as something more dynamic and protean, often informing the work indirectly
Aesthetics · Ambivalence · Art · Art history · Literature · Painting · PICASSO · Psychoanalysis · Sculpture · The arts · Visual arts · Philosophy · Psychology · Visual Culture and Art Theory
| Highly cited | No |
|---|