Transgressions, censures et sensibilités
Le contrôle des images aux États-Unis, vingtième et vingt-et-unième siècles
Bibliographic Data
| ID | 21798424 |
|---|---|
| Authors | Adrienne Boutang |
| Year | 2025 |
| Volume | 1 |
| Publication date | 2025-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Transatlantica (JOURNAL) |
| Journal identifiers | ISSN: 1765-2766 • E-ISSN: 1765-2766 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/14b8j |
| Language | FR |
| References cited | 51 |
Soft in the Middle
American Independent Cinema
Licentious Gotham
“Bold! Daring! Shocking! True!”
Some Notes on Illegality in Art
Puritanisme sexuel et capitalisme numérique
Disposable Passions
Algorithmic Censorship by Social Platforms
Censorship
Drag Them
Training Computers to See Internet Pornography
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards
Regulating cinematic stories about reproduction
Corporate Sponsorship
Arresting Images
Bare Flesh and Sticky Milk
Facebook and the Napalm Girl
| Citation velocity | historical |
|---|---|
| Highly cited | No |