Antiquity depicted as part of a discourse
From the first European travellers to the Daesh propaganda
Bibliographic Data
| ID | 21800399 |
|---|---|
| Authors | Jorge Elices Ocón (0000-0002-4794-7934, Universidade Federal de São Paulo, corresponding author) |
| Year | 2020 |
| Volume | 32 |
| Pages | 49-70 |
| Publication date | 2020-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Anabases (JOURNAL) |
| Journal identifiers | ISSN: 1774-4296 • E-ISSN: 2256-9421 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/anabases.11278 |
| OpenAlex | W3094375362 |
| Language | EN |
| References cited | 9 |
European travellers and archaeologists of the xviiith and xixth centuries wrote works in which they narrate their journeys to Greece and Middle East, usually including drawings and lithographs of the antiquities they described: a concrete monument, sculpture or relief or an entire “landscape of ruins”. For example, Sir Austen Henry Layard published in 1849 Nineveh and its remains and included in the frontispiece of the first volume a drawing of the archaeological works carried out (fig. 1)
Political science · Archaeological Research and Protection · Classical Antiquity Studies · Historical and Architectural Studies
The decline and fall of the Roman Empire
The Idea of Idolatry and the Emergence of Islam
Arabic Historical Thought in the Classical Period
Egyptology
The Imperial Circumcision Festival of 1582
Remembering Roman Syria
The Use of the Pharaonic Past in Modern Egyptian Nationalism
Cromer and the classics
Nationalism, Politics, and the Development of Archaeology in Iran
| Highly cited | No |
|---|