A visit to the our stage festival
Participation, inclusion and sharing at the Bürgerbühne Dresden
Bibliographic Data
| ID | 21803719 |
|---|---|
| Authors | Ioulia Pipinia (corresponding author) |
| Year | 2020 |
| Volume | 16 |
| Pages | 35 |
| Publication date | 2020-04-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Historical Review/La Revue Historique (JOURNAL) |
| Journal identifiers | ISSN: 1790-3572 • E-ISSN: 1791-7603 |
| Publisher | National Documentation Centre (EKT) (PUBLISHER) |
| DOI | 10.12681/hr.22833 |
| OpenAlex | W3011532231 |
| Language | EN |
| References cited | 1 |
In 2009 Staatsschauspiel Dresden, the state theatre of Saxony, became the first playhouse in Germany to include, in the company’s structure and repertoire, a Bürgerbühne, a stage dedicated to documentary and participatory theatre. Within ten years, Dresden’s prolific and acclaimed model of a citizens’ stage became a thriving and active example of inclusion and participation in theatre arts. In May 2019, Our Stage, the 4th European festival of, and on, citizens’ theatre was held in Dresden, offering a full week of performances, seminars, talks, workshops and discussions on various aspects of participatory theatre. The article offers a partial account of the festival and its performances in order to trace recent developments in applied, documentary and participatory theatre; it also tentatively attempts to address the notions of participation, inclusion and sharing in relation to contemporary Greek theatre and its performances
Art · Art history · Citizen journalism · Media studies · Political science · Political theatre · Social science · Sociology · The arts · Thriving · Visual arts · Computer Science · Cultural Industries and Urban Development · Law · Theatre and Performance Studies
| Highly cited | No |
|---|