Fisiones en el tejido sensible de lo vivo
La experiencia estética en tres creaciones bioartísticas sobre la semivida, la extinción de vidas distantes y la muerte de vidas próximas
Bibliographic Data
| ID | 21804682 |
|---|---|
| Authors | Àngels Asensi Soto (0000-0003-0952-513X), Elsa María Beltrán Luengas (corresponding author) |
| Year | 2025 |
| Volume | 20 |
| Issue | 2 |
| Pages | 166-189 |
| Publication date | 2025-07-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cuadernos de Música Artes Visuales y Artes Escénicas (JOURNAL) |
| Journal identifiers | ISSN: 1794-6670 • E-ISSN: 2215-9959 |
| Publisher | Editorial Pontificia Universidad Javeriana (PUBLISHER) |
| DOI | 10.11144/javeriana.mavae20-2.ftsv |
| OpenAlex | W4412049559 |
| Language | ES |
| References cited | 24 |
Through this article, I aim to understand the aesthetic experience in three bioartistic creations: Victimless Utopia (2003-2006) by TC&A, Malamp: Reliquaries (2001-) by Brandon Ballengée y Mother and Child (Divided) (1993) by Damien Hirst. I started from a qualitative hermeneutic-phenomenological approach based on the proposal of sensory ethnography. Through anthropological indepth interviews, as well as an autoethnography, I explored the dialogue that eleven spectators, of heterogeneous characteristics, developed around the pieces, in order to understand our aesthetic experience. I found that the aforementioned works of art put in crisis our notion of the unitary and certain pernicious dualisms of Western thought, which gives rise to monstrosity, through the fission of the sensitive fabric, hyperesthesia and dissent. During this process, new categories of thought emerged, like semi-living, distant life and nearby life. I was able to conclude that the aesthetic experience can be structured according to the identification of ways of twisting the sensitive fabric, the questioning of common sense, affective mobilization and dissent. My contribution consists in proposing an approach to the aesthetic experience of the monstrous which allows to specify how the mode of twisting the sensitive fabric is articulated with the crisis of dualistic thought and with the possibility of reconfiguring reality
Le partage du sensible
A social epistemology of aesthetics
Splicing Boundaries
Cruel Art
Non/living Matter, Bioscientific Imaginaries and Feminist Technoecologies of Bioart
Suficiente con la etnografía
Relics of Bioart
Conflictos bioéticos y estéticos en el bioarte
The Promises of Monsters
Doing Sensory Ethnography
Habit, art, and the plasticity of the subject
Theorizing Bioart Encounters after Gilbert Simondon
| Citation velocity | historical |
|---|---|
| Highly cited | No |